Loading...

2024

I Saw the TV Glow

From celebrated non-binary writer/director Jane Schoenbrun (We’re All Going to the World’s Fair) comes the much-hyped I Saw the TV Glow, a hallucinatory fever-dream of a film that allegorises trans-gender experiences while paying homage to 90s cult phenomena such as Buffy the Vampire Slayer.

Director

Jane Schoenbrun

Runtime

100 Minutes

Country

United States

Classification

M

Two teenagers bond over a 90s cult-TV show before it is mysteriously cancelled and their reality begins to crack.

From celebrated non-binary writer/director Jane Schoenbrun (We’re All Going to the World’s Fair) comes I Saw the TV Glow, a hallucinatory fever-dream of a film that pays homage to 90s cult film and TV series such as Buffy the Vampire Slayer and Twin Peaks.

Suburban teenager Owen (Justice Smith) feels at odds with the world around him before cool classmate Maddy (Bridgette Lundy-Paine) introduces him to the TV series The Pink Opaque, in which two girls battle monstrous forces from the Midnight Realm. As Owen and Maddy immerse themselves in the show, their reality cracks, revealing a realm that is more vibrant than their own.

As much an oneiric exercise in atmosphere, tone and mood, as it is a striking, allegorical portrait of teenage queerness and gender dysphoria, I Saw the TV Glow unfolds to a specially curated soundtrack with original music by Caroline Polachek and re-recorded 90s indie tracks by artists such as yeule, Snail Mail and more.

“Jane Schoenbrun confirms their place as a superbly gifted film-maker with the weirdly wonderful story of two misfits finding solace in a creepy TV show."

The Guardian

“Justice Smith is phenomenal as Owen, giving an astonishing physical and emotional performance … He is the aching heart of the film, a tragic hero yearning to be a heroine … Brigette Lundy-Paine plays Maddy with a magnetic confidence that glows as brightly as the TV screens in the film.”

The Hollywood Reporter

“I Saw the TV Glow marries the queer radicality of a Gregg Araki film with the lush intoxication of a Gregory Crewdson photo, and finds Schoenbrun holding on to every inch of their vision as they make the leap from outsider artist to A24-stamped auteur.”

IndieWire

Film Critics Society Feature Film Award – Seattle, Sundance, Berlin, Sydney, Melbourne
Trailer

Play Trailer

Film Credits

Director

Jane Schoenbrun

Year

2024

Country

United States

Language

English

Type

Feature & Fiction

Program Strand

Horror & World Cinema

Producer

Ali HertingSam IntiliDave McCaryEmma Stone & Sarah Winshall

Writer

Jane Schoenbrun

Cinematographer

Eric Yue

Editor

Sofi Marshall

Cast

Justice SmithBrigette Lundy-Paine & Helena Howard

Music

Alex G

Film Source

Sony Pictures Releasing

Genre

CinephileComing of AgeHorror & LGBTQIA+

Purchase Tickets

Friday 25 Oct 2024

09:15 pm

I Saw the TV Glow

Palace Nova Eastend:

Palace Nova Eastend Cinema 4

Friday 1 Nov 2024

08:15 pm

I Saw the TV Glow

Capri Theatre

More to see...

Carnage for Christmas

Carnage for Christmas

A trans true-crime podcaster returns home for Christmas only to uncover a bloody urban legend has come down the chimney to kill again. Alice Maio Mackay’s Carnage for Christmas is a sassy, indie, no-budget spin on holiday horror.

Wake in Fright

Wake in Fright

Wake in Fright, now in stunning 4K, follows a young teachers spiral into terror when he’s stranded in a brutal mining town. Lost in a nightmarish world of gambling, violence, and survival, this gripping Australian classic remains as haunting as ever.

Went Up the Hill

Went Up the Hill

Jack travels to remote New Zealand to attend the funeral of his estranged mother, where he meets her grieving widow, Jill. But his mother’s spirit returns, inhabiting both Jack and Jill - instigating a life-threatening three-way nocturnal dance.

Quadrilateral

Quadrilateral

In Quadrilateral, Daniel Rodríguez Risco crafts a darkly comedic tale where a family of four is thrown into chaos by the arrival of a new baby. Convinced that the ideal family has only two children, the parents ignore the newborn, sparking an absurd battle for survival and belonging.